Movies in General

AssassinsMace

Lieutenant General
I like how you guys think but you have to remember this is the kind of story they're looking for in this competition...

The competition’s mission is to open doors to all US-based contestants of any nationality, to create compelling cinematic stories centered around Beijing and its rich, multifaceted culture. In doing so, we hope to foster artistic collaboration between China and the US.

Also I'm not sure if government restrictions on subject matter are in play here. These include no action, no science fiction, no fantasy, no horror or supernatural events, no politics, no criminal conspiracies. That's only some of it but it basically covers anything interesting to watch for an international audience.
 

Equation

Lieutenant General
I like how you guys think but you have to remember this is the kind of story they're looking for in this competition...



Also I'm not sure if government restrictions on subject matter are in play here. These include no action, no science fiction, no fantasy, no horror or supernatural events, no politics, no criminal conspiracies. That's only some of it but it basically covers anything interesting to watch for an international audience.

Therefore they're looking more a documentary type of film? It sounds like a PBS Rick Steve traveling to Europe but instead to China kind of program they are looking for. Sounds cool. I will have to keep developing my story further and maybe perhaps sell it to Mainland or Hong Kong movie producers are interested.
 

AssassinsMace

Lieutenant General
Therefore they're looking more a documentary type of film? It sounds like a PBS Rick Steve traveling to Europe but instead to China kind of program they are looking for. Sounds cool. I will have to keep developing my story further and maybe perhaps sell it to Mainland or Hong Kong movie producers are interested.

I think they're looking for a safe movie like a drama and the conflict comes from personal flaws not anything from the outside. In other words they're delusional if they think it's going to have international appeal. They ought to look at their own box office. The big Hollywood movies that are successful in China and abroad is everything they don't allow their own filmmakers to make. When they do allow a non-blockbuster Hollywood movie to be shown in China, they don't as well. Nothing that Hollywood would crow about like the ones that are successful.

A movie set in Beijing that reflects the culture of the city? I can think of a zillion stories if Beijing is not restricting content like they normally do. But if they are enforcing them here, I can think of none that would have international appeal. It's going to be an art house movie if the story turns out to be good but it really won't have international appeal. The only thing they can do to save this is to have an A-list Hollywood actor taking a major role and he or she gets nominated for an Oscar. That's the only way they can call this a success according to what the contest is aiming for.
 

ABC78

Junior Member
I think they're looking for a safe movie like a drama and the conflict comes from personal flaws not anything from the outside. In other words they're delusional if they think it's going to have international appeal. They ought to look at their own box office. The big Hollywood movies that are successful in China and abroad is everything they don't allow their own filmmakers to make. When they do allow a non-blockbuster Hollywood movie to be shown in China, they don't as well. Nothing that Hollywood would crow about like the ones that are successful.

A movie set in Beijing that reflects the culture of the city? I can think of a zillion stories if Beijing is not restricting content like they normally do. But if they are enforcing them here, I can think of none that would have international appeal. It's going to be an art house movie if the story turns out to be good but it really won't have international appeal. The only thing they can do to save this is to have an A-list Hollywood actor taking a major role and he or she gets nominated for an Oscar. That's the only way they can call this a success according to what the contest is aiming for.

The sort of stories I would like to tell are all on the restricted subject matter. Your right basically they want an almost dramatization of a tourist home video. But I think it is still possible to make a script that is about Beijing and appeal to Chinese/American and international audiences.

Are any of you familiar with the author Lisa See?

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I was watching one of the C-span channels a couple of years ago and saw this white woman Lisa See talk about one of her books on the Chinese that came to the US in the late 1800s and it turns out she is a decedent of those early Chinese migrants.

I would tell the story of a white American woman trying to learn more about her Chinese ancestry for a book she is writing. She goes all around Beijing trying to track down a distant relative to get more information on her Chinese ancestors before they came to America. Along the way she develops a romantic relationship and decides to stay longer in Beijing to finish the book instead of just rushing back to finish the book in America. The rest of the details can filled in by committee(since that's what's going to happen anyway).
 

AssassinsMace

Lieutenant General
Yeah sounds like a nice story and probably fits well with what they're looking for but would a lot of people to go watch it? There was a true story of this All-American teenager who was living the stereotype of a privileged popular high school girl. I forgot the reason how she ended up in China but she was at some hospital where she saw all these children with deformities and that changed her life seeing how all the spoiled teenage values that were important before now were a big waste of time so she ended up working to help these children. Hollywood made that into a movie but I don't even think it was given a wide release if any in the US. People have made movies like this before but not something the international mainstream is looking forward to watch. With the success of Lost in Thailand, it might do well in China but I think the point of having this competition and getting an American screenwriter is for an audience outside of China as well. Why American only? I would think it's because American screenwriters are successful at making movies with international appeal. The fact is cultural movies are not popular and the culture of Beijing requirement and asking an American to write about it sounds to me they don't have a clue. Why are cultural movies not popular with a general audience is because first it's aiming to inform someone who is not a part of that culture and because of that, secondly, people naturally don't identify with it so why would they be interested. It's sort of like the home movie effect. If you're the one that took the home movie, it's great to you because you experienced it. But it's not interesting to most everyone else because experiencing it is what made it special.
 

Miragedriver

Brigadier
Therefore they're looking more a documentary type of film? It sounds like a PBS Rick Steve traveling to Europe but instead to China kind of program they are looking for. Sounds cool. I will have to keep developing my story further and maybe perhaps sell it to Mainland or Hong Kong movie producers are interested.

I have seen some of the Rick Steves shows on satellite TV here and they are very well done. I have used his book when traveling to Europe. I believe he made a show about Iran a few years ago. It would be very interesting to see a program of places to see in China. He makes a wonderful good will ambassador.
 

blacklist

Junior Member
... Why American only? I would think it's because American screenwriters are successful at making movies with international appeal...

i just saw red dawn.. so yes, some people want to see america invaded by foreign forces even if its just in the movie haha...
even if it has a hidden propaganda and spray some red paint on some nation...
 

ABC78

Junior Member
The fact is cultural movies are not popular and the culture of Beijing requirement and asking an American to write about it sounds to me they don't have a clue.

Yeah the movie they want is more like the stuff cities and towns have contest for aspiring film makers, students and whoever so they can us it as a clip for youtube or the official travel information website promotion.
 

AssassinsMace

Lieutenant General
Marvel confirms the Chinese version of Iron Man 3 has everything in the international version.

iron-man-3-china__130407151204_zps820a74d2.png

iron-man-3-china-2__130407151237_zps5b864afd.png



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leibowitz

Junior Member
COMPETITION: Feature Film

TITLE: Gongzhufen([FONT=&#23435]公主坟[/FONT],or Tomb of the Princess)

BRIEF SYNOPSIS: A Chinese-American undergrad interning in a large Beijing bank falls for the bank president’s daughter. Over the course oftwo months, he tries proving he can offer something to a girl who seems to have everything.


FULL SYNOPSIS: Justin Tai is a Chinese-American undergraduate interning in a large Beijing bank, who falls for the bank president’s daughter, Weng Huilan. He takes her on a date to the National Grand Theatre using tickets borrowed from a classmate interning there, and narrowlymakes it to her home near Gongzhufen subway station before her curfew.
The next day, the bank president, Weng Yikun, asks him howmuch money he’s spending on Huilan, knowing full well that Justin doesn’t makeenough as an intern to spend very much. Justin doesn’t know how to answer the question, so Yikun decides to setup a test: he tells Justin that Huilan’s birthday is approaching in just over amonth, and he should host a surprise party for her at Vics, a nightclub fa rbeyond Justin’s income range.
To pass the test, Justin gets a second job tutoring Business English, which quickly turns into a series of one-on-one therapy sessions for stressed-out Beijing professionals, including two students introduced byHuilan: a beautiful, older, PR consultant named Ting, and a single investment banker named Mao who makes constant visits to his three-year-old ‘niece’. Ting is unhappily engaged, and takes it out on Justin by relentlessly pursuing him. Since Justin needs the money, he keeps teaching Ting regardless, but avoids any romantic entanglements. Maooffers Justin a post-college job if he keeps secret the existence of hisniece. Justin, eager to stay in Beijingafter graduation, agrees.
In the meantime, Huilan grows increasingly suspicious of Justin’s relationship with Ting. To calm Huilan down and deflect Ting’s loneliness, Justin introduces Ting to Mao, taking the two of them, as well as Huilan, to a double date. All seems well, but the following week, Ting discovers Mao’s niece is a child from a previous marriage and Mao discovers Ting is engaged. Both are highly offended and stop interacting with Justin.
Out of options, Justin meets to tell Huilan the truth: that he’s too poor for her, and, furthermore, is unlikely to be working in Beijingafter graduation. Huilan reveals that Ting and Mao were her friends, and they’ve told her everything Justin has done. She then calls her father, who writes Justina large check for Huilan’s birthday and tells Justin to repay it by continuing to take care of her. Justin and Huilan meet in Beijing after graduation; the film concludes with a shot of Justin and Huilan ice skating in Houhai.




SAMPLE SCRIPT EXCERPT
EVENING BLUES FILL THE SCREEN
There are o.s. shouts of ‘taxi!’, and loud cell phone chatter– all of it buoyed over residual ENGINES and HORNS of cars and busses unseen. A bright white egg mushrooms from the bottom of the screen, becoming the titanium and glass latticework ofthe NATIONAL GRAND THEATRE.


JUSTIN TAI (V.O.)
When I turned twenty-one, my dad gave me two pieces of advice.​


We drift through the latticework, into a milieu of residual symphonicnoises and polite, excited, banter, and focus on a well-dressed, mutuallyattractive, early-twenties MAN and WOMAN threading their way through the strings and voices, leaving a trail of ‘excuse mes’ and ‘pardon mes’. They finally push their way to the frontdoor, and the man instinctively holds the door open for the woman. She strides through with a quiet sense of grace, as if expecting someone to take a picture of her high, scarlet cheekbones simply for walking through a door.


JUSTIN (V.O.)
The first was an oldsaying about Beijing.​


We follow the couple as they glide across a walkway flanked by pools of water and covered with similarly well-dressed people. In the background, the Great Hall of the People and Monument to the People’s Heroes shine with a soft glow.


JUSTIN (V.O.)
The East Side is rich, and the West Side has class.​


We follow the couple to Chang’An avenue, and the man tries and fails to hail a taxi.


JUSTIN (V.O.)
My parents grew up on the East Side, but they didn’t fit the mold.​


We see the man point at his wristwatch, and then lead the woman down a set of stairs. We back away from the stairs to see a red tile sign reading ‘Tian’anmen West Station’.


JUSTIN (V.O.)
But Huilan came from the West Side, and her family fit in all the way.​




Smash cut to:
INT. LINE ONE SUBWAY CAR
The subway car rolls and shakes, and even at this late time of night, is filled with Beijingers of all shapes and sizes. A tired overhead vent fan struggles to keep everybody cool.
In spite of the heat, though, the woman still retains her sense of grace. She then looks at the man with affectionate eyes and draws him in even closer, then sneaks a quick kiss.


JUSTIN (V.O.)
Thankfully, Huilan was only classy when it mattered.​


The car comes to a stop and the man and woman exit; we follow them onto a cavernous platform bedecked in marble pillars. The man and woman stride briskly for the exit and we lose them in the crowd; we then rise and focus in on one of the subway station signs that reads ‘Tomb of the Princess’.


Fade in to:
TITLE CARD: ‘Tomb of the Princess’


Smash cut to:
INT. APARTMENT BUILDING HALLWAY
We see the man and woman, panting slightly, arrive in front of a plain-looking apartment door draped with leftover Chinese New Year decorations.


JUSTIN (V.O.)
His other piece ofadvice: it’s usually pretty hard to date your boss.​


We see the woman smile wickedly, then lean in for a kiss,which the man passionately returns.


JUSTIN (V.O.)
But dating his daughter? That’s even worse.​


We see the two back away from the kiss. The man leans forward to knock on the door, but before he can, the door opens of its own accord, revealing WENG YIKUN, a thin, short, salt-and-pepper man in his late forties wearing a crooked half-smileand a plain black polo shirt.


YIKUN
Justin! So glad to see you. And you brought Huilan home safe and right ontime.​


Yikun steps aside, leaving the door open. Justin stands there with a sort ofstandoffish air. Huilan gives her date aquick peck on the cheek, and then disappears into the living room.


YIKUN
(with gentleexasperation)
Well? What are you waiting for? Do come in.​


Justin tilts his head in a quick bow.


JUSTIN
Thank you, boss, but I’ve got some comps to do tonight.
YIKUN
On who?
JUSTIN
American Bromide.​


Yikun nods, pats him on the shoulder.


YIKUN
Well, can’t argue with that.
(a beat)
Feel free to copy me in on your work – better yet, just come up to my office at ten tomorrow morning.
JUSTIN
Will do. Thanks, and good night.​


Justin turns to leave. Yikun stands there, a full smile growing on his face.


YIKUN
Oh, and one more thing.​


Justin turns back.


YIKUN
Next time you kids are out this late, just call Xiao Fan. He’ll pick you up. Huilan has his number.​


Yikun closes the door with a casual shove. After a quick three-second count, Justin letsout a deep breath, and pries loose his top collar button.


Smash cut to:
INT. YIKUN’S OFFICE
We see bookshelves spanning twenty languages along twoadjoining walls. Along the far side fromthe doors are plate-glass windows overlooking the steel and glass of Financial Street, along with a coffee table and pair of rattan chairs. Facing south is a large mahogany desk andleather chair. The desk is remarkably free of clutter, supporting only a laptop, a flag, and a placard reading ‘CEO’. Above the bookshelves, a clock reads twelve past ten. The big leather chair isempty.
Justin stands in the doorway, unsure of what to do. Before he can react, the doors close behindhim, and a lean, tanned hand claps him on the shoulder. Justin finally turns around, but is then turned another hundred eighty degrees towards his original direction by the hand on his shoulder and pointed towards the coffee table near the plate glass windows.


YIKUN
(chuckling)


You better work onthat, kiddo. If you were in the army, you’d probably be dead by now.​


Justin begins walking to one of the small woven seats.


JUSTIN
Will- will do.​


Yikun follows Justin to the table, sets out two cups of teaand a pack of Zhonghua filters. Heoffers Justin a cup and a smoke.


YIKUN
Need a light?​


Justin shakes his head.


JUSTIN
I’m sorry, I don’t smoke. But thank you for the tea.​


Yikun lets out a deep belly laugh.


YIKUN
Good, very good. No need to apologize – that was the right thing to say.
(turning serious)
Now let’s get down to business.​
 
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