Need a movie or series about the PLAAF pilots that fought in Korea, I'm not aware of any that exist.
Chinese film, television, music
- Thread starter ABC78
- Start date
Recently, CADPA --a Chinese trade association for digital products -- has released a report on the state of the Chinese games market over H1 2023.
Parts of particular interest have been translated using Google translate and pasted here:
Domestic games holding the majority of the home market, with overseas sales ~59B yuan; approximately 1/2 home sales:
Popular genres on mobile for overseas:
Preferred platforms for the home market:
Unfortunately for console fans, revenue <1B yuan for the entire console segment:
Parts of particular interest have been translated using Google translate and pasted here:
Domestic games holding the majority of the home market, with overseas sales ~59B yuan; approximately 1/2 home sales:
Popular genres on mobile for overseas:
Popular genres on mobile for home:
Preferred platforms for the home market:
Unfortunately for console fans, revenue <1B yuan for the entire console segment:
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The genre is still in its infancy I guess, but it's rapidly growing.
Slowly but surely they are falling to the acceptance stage.
Here's for @zhangjim to watch and absorb the level of "censorship" propaganda that happens in America when it comes to the Hollywood-military industrial complex. I am posting this here for you specifically since you tend to complain bitterly against the propaganda arm of the CPC when it comes to their supposed clumsy ways of making movies. The book 1984 written by George Orwell increasingly and aptly describes the United States of America if one actually views the situation rather objectively and critically.
Recently, I have come into contact with some good things.
Analyzing the current problems in movies from the perspective of the proletariat. The viewpoint of this video producer is not very straightforward, you can feel his implicit criticism of the development path after 1978.
Simply put, with the active disintegration of collective ownership (the content of his previous video), the Chinese proletariat has fallen into a serious spiritual dilemma, and the collectivist spirit and proletarian culture that rely on collective ownership have gradually disappeared.
With the development of the economy, film and television works with consumerism as the core and catering to the interests of the middle class (or small citizen class) have emerged in the 21st century.
For a period of time, the narrative of realism basically disappeared in film and television works, leaving only false love, showcasing luxury goods, and success myths in the story. Movies have completely become a vassal of consumerism, giving the middle class illusory dreams.
Both the male and female protagonists are flawless gods in the story, playing the role of effortless social elites in bustling cities，they have a lot of time wasted in empty and uninteresting love and play.
The true process of social operation will never appear in film and television works, nor will the real laborers who strive to make a living appear in movies.
But with the changes in the economic environment, the myth of 'hard work leads to success' has gone bankrupt, and audiences will increasingly dislike these empty and unrealistic films. Those directors, screenwriters, and actors who live well can no longer imagine what true poverty looks like.
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This actually brings the topic to a deeper realm：The censorship system is not as important as imagined, and what is even more frightening is that the entertainment industry is completely disconnected from the people due to the influence of capital.
Very true for Hollywood.
Yes, the producers used Hollywood movies（1940s） as an example at the beginning of the video.
You need to understand that the author criticized the current situation of Chinese films from a left-wing perspective. This can be said to be the essence of entertainment in the capitalist environment: inducing consumption and forgetting pain.