And yet some how one can find remarkably clear videos of ATGMs actually hitting a vehicle.
Like this
Or this
And this
Which conclusively proofs that HJ-8s are being used against a multitude of vehicles. Yet for the so called M1 engagment we have to rely on nothing more than supposed after engagement shots.
That is the reason for my contention, the Syrians and the Kurds have proven that they can make some very impressive combat footage. So why can't they do the same with the M1 engagement, particularly if they are engaging the Iraqis on a frequent basis.
Please note what I said:
“This was a fairly desperate active combat situation, a defensive one in open terrain at that.”
In all the high quality videos I have seen, the ATGM team are in an offensive scenario, where they are engaging enemy vehicles that are stationary, or too far away to offer the ATGM team any serious direct threat.
In addition, the ATGM teams are engaging from good cover and concealment.
That gives them all the time they need to set up theirs video equipment in optimal viewing position, and the ATGM team also has the leisurely time to co-ordinate their firing with the camera team to make sure they capture everything.
In the M1 scenario, the cameraman is on the road the M1 (and presumably supporting Iraqi infantry) are advancing down.
To get a good view for the camera would also place the cameramen pretty much in the crosshairs of the tank crew and/or supporting infantry. When your life is literally on the line, people tend not to care too much about cinematic quality.
Even if he could get into a good viewing position ans had the balls to risk it, the ATGM team were certaining not going to hang around waiting for the cameraman to get there while staring down the barrel of that 120mm knowing it could blow them to bits at any second.
It’s the same thing when you look at GoPro footage from US troops in Iraq and Afghanistan. You get beautifully shot footage when the troops are sitting outside enemy weapons range watch a tank or air power go to town on an enemy position. But when the bullets are zipping past their heads, you get footage shaky enough to make a Bourne film cameraman jealous.