The penultimate phase of the Chinese Civil War that directly led to to the victory of the PLA over the NRA was dominated by the Huai Hai Campaign. The East China Field Army of the PLA, initially seeking to engage in only a limited offensive in the Yangtze Valley, upon grasping the opportunities that presented themselves, quickly converted to a general offensive that resulted in the destruction of the main NRA forces in eastern China. The NRA suffered the loss of its premier field armies, leaving the PLA in a position to mop up the rest of the mainland effectively at will. As the author of "Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign", Dr. Gary J. Bjorge wrote in the Conclusion of the campaign:
Quote:
To a real extent, then, the Huai Hai Campaign can be viewed as the product of The Art of War meeting “operational art.” It was operational art with Sunzian qualities or, some might say, operational art with Chinese characteristics. This raises an interesting issue because, given the completely Chinese origin of The Art of War, some might argue that the Sunzian operational art that Su Yu and Liu Bocheng displayed represents a Chinese way of war. Perhaps it does. But the more important point to be raised is the high standard for executing operational art that Su Yu, Liu Bocheng, and their fellow commanders set. The quote at the beginning of the conclusion expresses Sunzi’s view that in war the only constant is change. It refers to the difficulty of staying in step with the enemy. As this study has shown, Su Yu, Liu Bocheng, and their fellow commanders not only did an excellent job of staying in step with the enemy, but they also were usually a step or two ahead of the enemy. They accomplished this by practicing operational art at the highest level. They accomplished this by being extremely competent professionally. This is another lesson to be learned from the Huai Hai Campaign, especially as the U.S. Army pursues engagement with the PLA. (p. 269).
-Unquote
Here is the link to Leavenworth Papers No. 22 Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign by Dr. Gary J. Bjorge (it would be best to save this book on disk) -
Scroll down to Leavenworth Papers, and click on No. 22 in PDF. A very good read.
Quote:
To a real extent, then, the Huai Hai Campaign can be viewed as the product of The Art of War meeting “operational art.” It was operational art with Sunzian qualities or, some might say, operational art with Chinese characteristics. This raises an interesting issue because, given the completely Chinese origin of The Art of War, some might argue that the Sunzian operational art that Su Yu and Liu Bocheng displayed represents a Chinese way of war. Perhaps it does. But the more important point to be raised is the high standard for executing operational art that Su Yu, Liu Bocheng, and their fellow commanders set. The quote at the beginning of the conclusion expresses Sunzi’s view that in war the only constant is change. It refers to the difficulty of staying in step with the enemy. As this study has shown, Su Yu, Liu Bocheng, and their fellow commanders not only did an excellent job of staying in step with the enemy, but they also were usually a step or two ahead of the enemy. They accomplished this by practicing operational art at the highest level. They accomplished this by being extremely competent professionally. This is another lesson to be learned from the Huai Hai Campaign, especially as the U.S. Army pursues engagement with the PLA. (p. 269).
-Unquote
Here is the link to Leavenworth Papers No. 22 Moving the Enemy: Operational Art in the Chinese PLA's Huai Hai Campaign by Dr. Gary J. Bjorge (it would be best to save this book on disk) -
Scroll down to Leavenworth Papers, and click on No. 22 in PDF. A very good read.
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